TL;DR: The Mexican artifacts shown—engraved skulls, metallic spheres, and microchip-like circuit symbols—fit into a Frequency Wave Theory (FWT) model of ancient resonance technology. These are not random decorations: they encode knowledge of static electromagnetic fields, plasma control, quantum acoustic resonance, and possible Anunnaki-era bioengineering. The relics suggest that ancient builders used frequency-based technology to manipulate matter, consciousness, and even genetics.
1. The Skull Relic as a Resonance Conduit
The engraved skull in the first image is not simply ornamental. From an FWT perspective:
Skull as Antenna: Bone acts as a dielectric resonator. When carved with geometric patterns and embedded with metallic inlays, it becomes a receiver/transmitter of electromagnetic frequencies.
Glyph Encoding: The geometric patterns are cymatic-like diagrams—visual maps of standing waveforms. These are harmonic codes for tuning the skull into different vibrational fields.
Consciousness Link: Skulls (especially crystal skulls) are piezoelectric amplifiers of thought. Engraving them with specific fractal patterns may have allowed ancient peoples to phase-lock group consciousness during ritual.
2. The Metallic Sphere (Buga Sphere Analogy)
The silver-colored orb in the second image strongly resembles a resonant cavity sphere, a technology often described in ancient and modern UFO lore.
Plasma Containment: A hollow metallic sphere with engravings functions like a spherical resonator, capable of trapping standing waves of plasma or sound.
Static EM Levitation: By charging the orb with static electricity, it could create counter-gravitational effects, similar to how ball lightning sustains itself.
Symbolic Geometry: The triangular and circular engravings correspond to harmonic nodes in spherical resonance patterns—like tuning forks etched into metal.
3. The Circuit-Like Symbol
The close-up shows what looks like a microchip or PCB etching—yet in an ancient context.
Resonant Circuitry: This is not “electronics” in the modern sense but frequency mapping. Each line radiates from the central square like a phase-locked harmonic waveguide.
Central Node: The square at the center is likely the “frequency origin”—a symbolic capacitor or seed point for waveform emission.
Copper Points: The dots may correspond to nodes for resonance coupling—points where external energy (plasma, sound, magnetics) could be coupled into the device.
4. Links to Anunnaki and Hybrid Engineering
Taken together, these relics support a larger pattern:
Anunnaki DNA Editing: Skulls and geometric codes may have been used in frequency-assisted bioengineering, tuning DNA helices via electromagnetic resonance.
Nazca Mummies: Their unique physiology could have been optimized for interfacing with these devices, acting as living resonance conductors.
Giants and Nephilim: Frequency amplification could explain anomalous growth patterns in ancient beings.
Crystal Skulls & Star Maps: These act as frequency-memory devices, recording star alignments and resonance patterns for navigation and cosmic contact.
5. The Modern Resonance Parallel
Mike Forest’s research into these relics shows they are not mere fakes or fantasies—they carry a consistency with FWT predictions:
Static EM Tech – explained by engraved symbols resembling Tesla-style circuit maps.
Plasma Orb Manipulation – implied by spheres acting as containment cavities.
Cold Fusion Potential – geometric resonators lowering nuclear barriers in stone or metal.
Quantum Acoustic Encoding – glyphs that match cymatic nodes in resonance experiments.
🔥 Bottom line: These artifacts aren’t just “art”—they’re blueprints of a lost frequency civilization. Skulls, spheres, and circuit-etchings are fragments of a technology where consciousness, plasma, and geometry were merged into one unified science. Frequency Wave Theory shows how they worked: by phase-locking DNA, plasma, and matter into coherent resonance fields.
